The title track, for instance, swells with lavish sonics, a fluttery flute, some vibrato-laden violins, a blowsy soft-toned saxophone. The result is a set of songs that veer more towards baroque pop than stripped down country folk.
The Cherries Are Speaking deploys a more varied collection of sounds: a jaunty, jazzy saxophone from David Lackner, some lush and evocative strings from Macie Stewart and piano, the instrument that Knishkowy turned to in the long months of the pandemic. When we last caught up with Dan Knishkowy, he was mostly concerned with improvised guitar, tracing smoke-wispy blues licks in the ruminative Good Timing from earlier this year.
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